As visiting luminary for the UMaine Digital Curation graduate program’s fall 2015 teleconference, Craig Dietrich challenged its students to consider how culturally sensitive archives and linked data can break the monoculture of one-size-fits-all paradigms for access and publication.
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By now university administrators and IT departments are accustomed to passing on letters from the music industry accusing students of sharing music illegally over the Internet. What’s surprising about the latest round of letters from the RIAA is that they offer to settle piracy charges with students for only $10 or $20, despite recent high-profile court cases awarding exorbitant sums for individual violations.
Still water co-director Jon Ippolito explains this shift in tactics in an interview with MPBN’s Jennifer Mitchell.
The Digital Curation program is a two-year graduate certificate, taught online, intended for professionals working in museums, archives, artist studios, government offices, and anywhere that people need to manage digital files. The program walks students through the phases of managing digitized or born-digital artifacts, including acquisition, representation, access, and preservation. Registration opens soon!
There are challenges to forming a harmonious community. But one thing everyone can agree on is the importance of food.
While the local food movement encourages us to shop within a hundred-mile radius, at Belfast Cohousing & Ecovillage, we have the opportunity to produce hundred-yard food. If we wanted to, we could plant raspberry ‘sharing’ bushes between neighbors yards, spiral herbs outside our kitchen doors, alternate apple and peach trees along the driveway, and dangle grapes and kiwi from the Common House trellis. And if knowing your farmer is key to food security, being your own farmer (even for just a blueberry bush or apple tree) is even better, because then we know what it means to generate life, food and community.
The Still Water Senior Researcher and USC digital studies professor argues that run-of-the-mill citation methods don’t cut it in today’s connected world, where technologies like RDF can provide a far richer context and encourage reuse of online scholarship.
To coincide with Digital Humanities Week 2011, Joline Blais joins permaculture experts Julia and Charles Yelton, social media hackademic Craig Dietrich, Rural Maine Partners’ Claudia Lowd, and members of the Wabanaki community in hosting “Social Media and Sustainability” at LongGreenHouse, a clearinghouse for sustainable culture on the edge of the U-Me campus.
At the 2010 ESTIA conference “Ecovillages Redefined” on 22 October, Still Water’s Joline Blais gave a presentation on the Belfast Cohousing & Ecovillage and conducted a discussion on the role ecovillages might play in a sustainable future.
Also presenting at the conference were Roger Kelly of the Centre for Alternative Technology (CAT) in Wales and Daniel Greenberg of Living Routes at the University of Massachusetts. Local luminaries featured at the conference included farmer extraordinaire Mark Fulford, LongGreenHouse veteran gkisedtanamoogk, and Belfast Cohousing Equity Member Jeffrey Mabee.
Anthropologist James Leach presents the Cross-Cultural Partnership as an example of a social “prototype” at “Prototyping Cultures: Social Experimentation, Do-It-Yourself Science and Beta-Knowledge.”
The Cross-Cultural Partnership, a legal template for encouraging ethical collaborations across cultural divides, was the brainchild of Leach, Wendy Seltzer, and othe members of the Connected Knowledge working group organized by Still Water. Leach’s talk at this two-day conference organised by the Spanish National Research Council in Madrid from 4-5 November 2010 is entitled “Prototypes of Engagement: Trust, Transaction, and Digital Partnership.”
According to Colin Kloecker at the Walker Art Center, ThoughtMesh and The Pool are good tools for a healthy commons. He profiled these two open-source Still Water networks in a post leading up to the kickoff of the Walker’s Open Field initiative last June.