Entangled Ecologies, an NEH funded project, led by UMaine’s Joline Blais and Dartmouth colleague John Bell, creates an (AR) App that reveals the entwined histories and ecological systems of the Shaker Forest in Enfield, NH..
As part of the Learning With AI initiative, Still Water researchers continue to examine the role of generative AI in reshaping contemporary education and creativity, from whether the term paper will go the way of cursive writing, to deciding who gets credit for AI-generated content.
Still Water senior researcher and New Media alumnus John Bell continues to uncover insights by marrying old and new media. This summer his Dartmouth lab has won a Mellon grant to apply AI to vintage movies and TV.
For the past year, Still Water co-director Joline Blais has been president of the Wild Blueberry Heritage Center, headquartered in a physical museum in Columbia Falls and online at WildBlueberryHeritageCenter.org. The museum is an extension of the Wild Blueberry Lands
A HASTAC scholarship, an interview published by the Smithsonian, and a cover story in ARTnews that mentions a landmark book by one of the professors. These are among the accolades received this fall by instructors teaching next term’s online courses in Metadata and Digital Preservation, for their contributions to the growing field of digital curation.
One of five US women on the Internet use Pinterest. ABC TV-7 interviews Jon Ippolito to find out why.
As a “new media specialist,” Still Water Co-Director Jon Ippolito gets called upon to explain plenty of weird Internet memes. But this Public Radio story on the tingling sensation known as ASMR has got to be one of the most bizarre.
Still Water Senior Researcher John Bell and fellow Intermedia alumnus Rick Corey advance in Stages One and Two of the prestigious Digital Media and Learning Competition held in San Francisco this month.
In the final stretch of the competition for the Mozilla-Knight Foundation News Technology Partnership, Still Water Senior Researcher John Bell has posted a roadmap based on applying the lessons of open source software to journalism. His four stages–aggregation, interpretation, curation, and deliberation–lay the foundation for a future of journalism that marries community and credibility.
Two recent stories on conserving contemporary art speak to how removed museums and foundations are from the “proliferative preservation” of digital creators. The New York Observer writes about a Whitney Museum taskforce created to police the replication of art via exhibition copies, and their headline says it all: Copy That! Wait, Don’t. Meanwhile an article …
