Reinterpretation as a preservation strategy has been called “radical” and “dangerous,” yet this unconventional approach has seen a surge of interest in preservation communities in the past year. In a departure from conventional wisdom about conservation, a group of European preservation experts recently invited Still Water’s Jon Ippolito to reassess this controversial technique as a […]
Is reinterpretation the new emulation? Read More »
Interpreting the past has long been the province of historians, but reinterpreting it has recently become a concern of conservators. This most powerful, and most controversial, of preservation strategies can demand techniques not found in the traditional conservation lab, from 3d scanning to DNA computing. Several international conferences from Mexico City to Amsterdam recently spotlighted
Reinterpreting the past with 3D scans and DNA Read More »
In 2015 Re-collection: Art, New Media and Social Memory continued to gather attention from libraries, universities, and the press. This just-published MIT Press book by Richard Rinehart and Still Water Co-Director Jon Ippolito surveys new paradigms and techniques for safeguarding culture for future generations in the face of imminent technological obsolescence. Since last summer the
Re-collection book tour pleads for digital preservation from Toronto to Taiwan Read More »
The German town of Karlsruhe is no stranger to advanced technology, as home to the Karlsruhe Institute of Technology (KIT) and the ZKM Center for Art and Technology Karlsruhe. In his keynote for the November 2014 Digital Archiving conference at the ZAK Center for Digital Tradition (CODIGT), Still Water Co-Director Jon Ippolito presented advanced technologies
Wagging the Long Tail of Digital Preservation Read More »
In the digital art preservation field, we are in the middle of a crisis between contents versus containers. This is a crisis of substance, material substance opposing to conceptual/intentional substance of the artwork. What do we want? That all resources be directed towards to the preservation and storage of the original devices? Or, that each time
Morgane Stricot presents hybrid preservation strategy. Read More »
Richard Rinehart, co-author with Still Water’s Jon Ippolito of the forthcoming MIT book New Media and Social Memory, presents conclusions from the book at the POCOS/HATII symposium on Software Art in Glasgow on 11 October.
Variability machines at Glasgow Software Art symposium Read More »
Last December Curator Laura Barrecca and Conservator Alessandra Barbuto invited Jon Ippolito to speak on cultural preservation at Rome’s Museum of the Art of the 21st century (MAXXI), a dramatic building by famed architect Zaha Hadid that opened in June.
How to keep art of the 21st century going till the 22nd Read More »
The permaculture philosophy of dynamic preservation turns out to have ancient roots in Sicily. Last December Joline Blais surveyed a Permaculture site near Caccamo founded by noted Australian sustainability gurus Julia and Charles Yelton, as well as a reconstructed citrus garden originally cultivated by the ancient Greeks of Agrigento.
Permaculture’s roots in Sicily: ancient and recent Read More »
It almost seems like cheating for Italians to declare Castelbuono an ecovillage. In this medieval town in the mountains of northern Sicily, the houses are already made of heat-exchanging stone and residents already walk everywhere through winding cobblestone streets. A donkey picks up recyclables and food compost headed for local farmers.
Ecological living, Sicilian style Read More »
Still Water Senior Researcher John Bell presents the third-generation Variable Media Questionnaire at the 2010 International Symposium on Electronic Art.
John Bell presents VMQ at ISEA 2010 in Germany Read More »
