Reinterpretation as a preservation strategy has been called “radical” and “dangerous,” yet this unconventional approach has seen a surge of interest in preservation communities in the past year. In a departure from conventional wisdom about conservation, a group of European preservation experts recently invited Still Water’s Jon Ippolito to reassess this controversial technique as a […]
Is reinterpretation the new emulation? Read More »
Once dusty storehouses of antique patrimony, today museums are forced to re-imagine themselves for an age where culture is shared from smartphone to smartphone. Recent Still Water publications on reinventing museums for the 21st century are cropping up in anthologies like the International Handbook of Museum Studies and in interviews from The Library of Congress.
Still Water publications challenge museums to adapt to digital age Read More »
In 2015 Re-collection: Art, New Media and Social Memory continued to gather attention from libraries, universities, and the press. This just-published MIT Press book by Richard Rinehart and Still Water Co-Director Jon Ippolito surveys new paradigms and techniques for safeguarding culture for future generations in the face of imminent technological obsolescence. Since last summer the
Re-collection book tour pleads for digital preservation from Toronto to Taiwan Read More »
The German town of Karlsruhe is no stranger to advanced technology, as home to the Karlsruhe Institute of Technology (KIT) and the ZKM Center for Art and Technology Karlsruhe. In his keynote for the November 2014 Digital Archiving conference at the ZAK Center for Digital Tradition (CODIGT), Still Water Co-Director Jon Ippolito presented advanced technologies
Wagging the Long Tail of Digital Preservation Read More »
Professionals across the spectrum of cultural heritage institutions are struggling to keep up with an increasingly digital landscape, as confirmed by the 30-odd contributions to Mexico’s first Symposium on Audiovisual and Digital Archiving (SIPAD). Today’s curators and conservators have their hands full coping with constantly changing video formats and Web standards, not to mention convincing
Day of the Dead (Media): how aficionados can help revive dying culture Read More »
The July discussion on the Yasmin email list focuses on MIT Press’s publication last month of Re-Collection: Art, New Media, and Social Memory by Richard Rinehart and Jon Ippolito, which has been called the first academic book on new media preservation. Re-collection examines the challenge posed by new media to our long-term social memory, examining
Special online discussion celebrates publication of Re-collection Read More »
Re-Collection: Art, New Media, and Social Memory, the new book by Richard Rinehart and Jon Ippolito published this week by MIT Press, has already received acclaim from some high-profile reviewers.
Re-collection, the first academic book on new media preservation, hits the shelves Read More »
After only a year online, the University of Maine’s graduate certificate in Digital Curation is being called “a national standard for the study of digital curation.”
Praise for U-Me’s Digital Curation online classes Read More »
Re-Collection: Art, New Media, and Social Memory will be the first full-length academic book on preserving digital media. Due out this coming year from MIT Press, the publication is a collaboration between Still Water’s Jon Ippolito and Richard Rinehart, director of the Samek Art Gallery at Bucknell. Re-collection argues that the default strategies for safeguarding
First academic book on new media preservation coming in 2013 Read More »
