News about projects of the Still Water lab at the University of Maine
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As more of our work and entertainment moves online, the challenge of preserving websites and social media becomes increasingly urgent. In an interactive discussion on Friday 17 April at 1pm EDT entitled “Web Archiving for Everyone,” the latest guest speaker in UMaine’s Digital Curation program presents new tools and techniques for saving Internet culture for posterity.
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Tags: digital curation, education, history, memory, network, presentation, preservation, social media, University of Maine, web
At Yale’s May 11th symposium “Is This Permanence?”, Still Water’s John Bell and Jon Ippolito help curators and historians plan for a digital future in which “archival material” could be a contradiction in terms.
Tags: art, indigenous, LongHouse, memory, New Media, New Media and Social Memory, presentation, preservation, Still Water, University of Maine, variable media
Reinterpretation as a preservation strategy has been called “radical” and “dangerous,” yet this unconventional approach has seen a surge of interest in preservation communities in the past year. In a departure from conventional wisdom about conservation, a group of European preservation experts recently invited Still Water’s Jon Ippolito to reassess this controversial technique as a mainstream model for conserving cultural heritage.
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Tags: art, digital curation, europe, memory, New Media and Social Memory, presentation, preservation, press, Re-collection, sharing, variable media
The latest guest presenter for UMaine’s Digital Curation program uses digital tools to scour sites of trauma to recover stories of the traumatized.
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Tags: digital curation, education, geography, history, map, memory, presentation, University of Maine
Ludwig Museum Budapest
In 2015 Re-collection: Art, New Media and Social Memory continued to gather attention from libraries, universities, and the press. This just-published MIT Press book by Richard Rinehart and Still Water Co-Director Jon Ippolito surveys new paradigms and techniques for safeguarding culture for future generations in the face of imminent technological obsolescence. Since last summer the tour included presentations in Aachen, Brussels, Budapest, Lewisburg, Oslo, Taiwan, and Toronto, as well as a webinar for the National Information Standards Organization.
Tags: Americas, digital curation, europe, memory, New Media and Social Memory, presentation, preservation, press, Re-collection, variable media
If you’re over 30, chances are you’ve stumbled on a CD-ROM, game cartridge, or floppy disk in a box that you’d like to access but can’t, because you’ve long gotten rid of the hardware that went with it. Maybe you imagined your local library or museum has been stockpiling vintage Ataris and Mac 512s, but even they will be hard-pressed to keep obsolete hardware running in the long-term.
What if running those old programs were no harder than launching a Web browser? Last week Dragan Espenschied presented this option in a teleconference organized for students of the University of Maine’s Digital Curation graduate program.
Tags: digital curation, memory, preservation, variable media
Maine has long held a fascination for out-of-state writers and artists, who have evoked the state’s pristine forests and rocky coastline in stories and paintings. But what is it like to grow up here? The Bangor Daily News recently showcased a series of “digital postcards” created for a New Media class taught by Still Water Co-Director Joline Blais.
Tags: class, education, LongHouse, Maine, memory, network, New Media, press, publication, sharing, Still Water, story, University of Maine
The July discussion on the Yasmin email list focuses on MIT Press’s publication last month of Re-Collection: Art, New Media, and Social Memory by Richard Rinehart and Jon Ippolito, which has been called the first academic book on new media preservation. Re-collection examines the challenge posed by new media to our long-term social memory, examining in depth such topics as amateur and professional emulation, crowdsourced preservation, and DNA storage.
Tags: archive, collection, digital curation, digital humanities, emulation, library, memory, migration, museum, New Media and Social Memory, preservation, publication, Re-collection, reinterpretation, storage, variable media
Re-Collection: Art, New Media, and Social Memory, the new book by Richard Rinehart and Jon Ippolito published this week by MIT Press, has already received acclaim from some high-profile reviewers.
Tags: archive, collection, digital curation, digital humanities, emulation, library, memory, migration, museum, New Media and Social Memory, preservation, publication, Re-collection, reinterpretation, storage, variable media
After only a year online, the University of Maine’s graduate certificate in Digital Curation is being called “a national standard for the study of digital curation.”
Tags: art, class, digital curation, education, memory, New Media and Social Memory, preservation, Re-collection, University of Maine, variable media