New Media alumna Margaretha Haughwout invited Still Water co-directors Joline Blais and Jon Ippolito to explore the connections between different types of code and how they can be open-sourced, digitally and biologically, in a series of talks and workshops at Colgate University in November 2018.Read the rest of this entry »
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While the maker movement continues to gather publicity, one of its most critical dynamics seldom makes the headlines: the right to unmake. Now the College Art Association has published a call for presentations on unmaking and “Lego-like” creativity for its next annual conference in Los Angeles in February 2018.
A Still Water project by Jon Ippolito aimed at linking thematically similar academic essays across the Web has been awarded an initial grant of $10,000 by the Thoma Foundation. Founding philanthropists Carl and Marilynn Thoma also hosted a presentation at New York’s School of Visual Arts last December to honor the inaugural recipients of the Digital Arts Writing prize, independent writer Joanne McNeil and Ippolito, who co-directs UMaine’s Still Water lab.
A picture may be worth a thousand words, but in this case a single line of code is worth 300 pages and 70 illustrations. Still Water Senior Researcher John Bell is one of the authors of a new MIT Press book that scrutinizes a single line of code from the Commodore 64.
Waterfall Arts presents Still Water Co-Director Joline Blais talking about her work in ecology, the New Commons, and cross-cultural networking on Monday 26 April at 7pm.
Still Water is pleased to announce the publication of 60: Innovators Shaping Our Creative Future, a landmark book on the occasion of the 60th anniversary of renowned art and design publishing house Thames & Hudson. Still Water co-directors Joline Blais and Jon Ippolito penned the new media section of this book, which profiles five of the most innovative creators on the planet today.
These visionaries take the lessons learned from experiments in online communities and apply them to real-world problems, whether making cities sustainable, holding corporations accountable, or re-imagining laws that govern the flow of information. Included among these innovators are Maine’s own Miigam’agan and gkisedtanamoogk, Wabanaki elders who are building bridges between their ancestors’ lifeways and the 21st century.
“Every now and again along comes a book that acts as a cultural bookmark … Thames & Hudson’s new doorstopper Sixty is just such a book” — Grafik Magazine
“A collection of incredible, truly inspiring work from all over the world.” — The Design Files.
“Showcases the most creative minds in fashion, architecture, photography, green technology and science.” — New Scientist
“Fascinating insights into global projects that may predict future directions are presented here in an informative and visually appealing format.” — Library Journal
A new University of Maine class in Life Art (NMD430/520) explores the boundaries of artistic collaboration by encouraging students to co-create with entire ecosystems of humans and other critters.
Life artists may :
- Crowd-source their artmaking with 10,000 earthworms.
- Get frogs to do their drawings for/with them.
- Create sculpture ‘for the birds’ so they can survive destroyed migratory paths across continents.
- Clone cruelty-free meat via the latest gene manipulation.
- Get Michelle Obama to “perform” their art piece.
- Plan an art opening with full course cross-species meals (eg for human and geese).
Student projects may draw from indigenous culture, digital culture, and/or permaculture, and will be featured in an exhibition at the end of the term. The course takes place at the Hutchinson Center in Belfast, Maine and is organized by Joline Blais in collaboration with Waterfall Arts and Unity College.