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Organizations working to make a better world may soon get help from students with design and technical skills, thanks to a new initiative from Still Water, a lab at the University of Maine dedicated to studying and building creative networks,
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At the Edge of Art (cover)

How has the boundary between art and non-art shifted in the Internet age, and what does that mean for design, activism, science, and other creative activities? This question is the subject of a Dario Moalli’s fall 2019 interview with Still Water co-directors Joline Blais and Jon Ippolito in the venerable periodical Hestetika (Aesthetics). The issue has become more relevant during the COVID-19 quarantine, as exhibitions, concerts, and other artforms normally experienced in person have moved online. Read the rest of this entry »

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Lexicon of Sustainability/Fermentation at Waterfall ArtsIt’s hard to articulate ecological values with a vocabulary inherited from the industrial age. The Lexicon of Sustainability, an exhibition co-curated by Dan Dixon and Still Water’s Joline Blais, aims to change that. Read the rest of this entry »

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Political SignsMaine Public Radio’s Jennifer Mitchell interviews Jon Ippolito about the proliferation of colors in advertisements for this season’s political candidates, and what subliminal messages these new palettes might contain.

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Subversion Poster illStill Water Research Fellow and Wabanaki elder gkisedtanamoogk joined Joline Blais and Jon Ippolito in presenting Still Water’s innovative legal template for fostering collaboration across cultural divides at a Cambridge University conference entitled Subversion, Conversion, Development: Public Interests in Technologies.

Meant to expand the conversation begun at Still Water’s 2006 and 2007 Connected Knowledge conferences, this meeting featured researchers in the fields of anthropology, philosophy, religious studies, and the tech industry.

See the ThoughtMesh summary of the Subversion conference.

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