Ken Jacobs and Preserving the Immaterial
This week we lost a figure known as “the dean of American avant-garde film.” Ken Jacobs was renowned for his ability to turn the humblest materia prima of cinema, including 16mm projectors and dusty reels of found footage, into optical sorcery. In so doing, he also turned time-honored assumptions about media preservation on their head.
Ken Jacobs and Preserving the Immaterial Read More »