Many of us have important relationships with animals, be they the beloved family dog or the meddlesome raccoon that keeps getting into the garbage. But what about plants? Their relationships to humans may be much less visible in popular media, if it’s conscious at all. Yet some people’s connections to a particular medicinal herb, houseplant, […]
Grow your own medicine with Healing Seeds Read More »
After only a year online, the University of Maine’s graduate certificate in Digital Curation is being called “a national standard for the study of digital curation.”
Praise for U-Me’s Digital Curation online classes Read More »
Is DOOM doomed? Should we say our last words for Word? Will Mozilla be a dinosaur? These questions echoed through the Montpelier room of the Library of Congress earlier this week during Preserving.exe, a conference from 20-21 May on the challenges of keeping software alive for the long term. The National Digital Information Infrastructure and
The Ex-files: how long will our software last? Read More »
When it reopens on July 13 after a major renovation, the Colby College Museum will become the largest art museum in Maine. Front and center for the opening will be the Alfond-Lunder Family Pavilion, a monumental space that calls out for innovative programming. Colby’s Sharon Corwin and Patricia King invited Still Water to brainstorm with
Still Water helps Colby turn visitors into makers Read More »
Re-Collection: Art, New Media, and Social Memory will be the first full-length academic book on preserving digital media. Due out this coming year from MIT Press, the publication is a collaboration between Still Water’s Jon Ippolito and Richard Rinehart, director of the Samek Art Gallery at Bucknell. Re-collection argues that the default strategies for safeguarding
First academic book on new media preservation coming in 2013 Read More »
The keynote for this year’s International Audiovisual Festival on Museums and Heritage focuses on very new–and very old–technologies for crowdsourcing the curation and preservation of culture. Delivered by Still Water Co-Director Jon Ippolito, the presentation “Re-collection” draws on themes from the forthcoming book of the same name.
AVICOM keynote on “Re-collection” in Montreal 2012 Read More »
The past few months have seen a spate of news stories that feature Still Water co-directors in TV, print, and online outlets. Here are some of the highlights:
Still Water directors featured on ABC-TV, Wired, Congressional Quarterly Read More »
Syllabi are now online for the four core courses of the University of Maine’s brand new Digital Curation program. These include online classes in digital acquisition (DIG 500), representation (DIG 510), access (DIG 540), and preservation (DIG 550).
Digital Curation syllabi now online Read More »
The Digital Curation program is a two-year graduate certificate, taught online, intended for professionals working in museums, archives, artist studios, government offices, and anywhere that people need to manage digital files. The program walks students through the phases of managing digitized or born-digital artifacts, including acquisition, representation, access, and preservation. Registration opens soon!
Digital Curation graduate program to launch September 2012 Read More »
In the digital art preservation field, we are in the middle of a crisis between contents versus containers. This is a crisis of substance, material substance opposing to conceptual/intentional substance of the artwork. What do we want? That all resources be directed towards to the preservation and storage of the original devices? Or, that each time
Morgane Stricot presents hybrid preservation strategy. Read More »
