art

Digital Curation graduate program to launch September 2012

The Digital Curation program is a two-year graduate certificate, taught online, intended for professionals working in museums, archives, artist studios, government offices, and anywhere that people need to manage digital files. The program walks students through the phases of managing digitized or born-digital artifacts, including acquisition, representation, access, and preservation. Registration opens soon!

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Morgane Stricot presents hybrid preservation strategy.

In the digital art preservation field, we are in the middle of a crisis between contents versus containers. This is a crisis of substance, material substance opposing to conceptual/intentional substance of the artwork. What do we want? That all resources be directed towards to the preservation and storage of the original devices? Or, that each time

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Rhizome publishes white paper on variable media preservation

Ben Fino-Radin of Rhizome has published a plan to keep the organization’s venerable collection of digital art alive in the foreseeable future. The scheme builds on previous research by Richard Rinehart and Still Water’s Forging the Future coalition, of which Rhizome was a founding partner.

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“The Panopticon Is Leaking”: Digital Light in Melbourne

Digital light is both the subject and the medium for Jon Ippolito’s “The Panopticon Is Leaking.” This teleconference presentation at the University of Melbourne traces the historical roots of light as both a metaphor for knowledge and a means of control, and questions the relevance of this legacy for age of Internet phenomena such as

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LongGreenHouse event celebrates Life Art

One of the coldest weeks of the year didn’t stop attenders of Aurono Borealis, an outdoor performance at LongGreenHouse this January.  Intermedia MFA students in Joline Blais’s LifeArt class organized a “council of beings” that attracted a variety of faculty, students, and members of the Wabanaki community.

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