Syllabi are now online for the four core courses of the University of Maine’s brand new Digital Curation program. These include online classes in digital acquisition (DIG 500), representation (DIG 510), access (DIG 540), and preservation (DIG 550).
Digital Curation syllabi now online Read More »
According to Streetsblog Los Angeles‘ Sahra Sulaiman, Still Water Fellows Vanessa Vobis, Craig Dietrich, and collaborators are “saving the world, one garden at a time.” Their project LA Green Grounds continues to dig up both lawns and publicity on its mission to turn Los Angelenos into gardeners.
LA Green Grounds replaces lawns with lettuce Read More »
The Digital Curation program is a two-year graduate certificate, taught online, intended for professionals working in museums, archives, artist studios, government offices, and anywhere that people need to manage digital files. The program walks students through the phases of managing digitized or born-digital artifacts, including acquisition, representation, access, and preservation. Registration opens soon!
Digital Curation graduate program to launch September 2012 Read More »
There are challenges to forming a harmonious community. But one thing everyone can agree on is the importance of food. While the local food movement encourages us to shop within a hundred-mile radius, at Belfast Cohousing & Ecovillage, we have the opportunity to produce hundred-yard food. If we wanted to, we could plant raspberry ‘sharing’
Growing together: the sociology of soil at Belfast Cohousing Read More »
Screengrab of Debra Levine’s DEMONSTRATING ACT UP Scalar project Are footnotes obsolete? At this month’s Society for Cinema and Media Studies conference, Craig Dietrich suggests crediting other scholars is still necessary, but it’s no longer enough. The Still Water Senior Researcher and USC digital studies professor argues that run-of-the-mill citation methods don’t cut it in
Are footnotes obsolete? Craig Dietrich at SCMS Read More »
Figure 1. Vanessa Vobis, Crystal World (2008), Legion Arts-CSPS, Cedar Rapids, Iowa, USA Figure 2. Vanessa Vobis, Mars Attacks Fragonard (2009), (106) Gallery, Grand Rapids, Michigan, USA Figure 3. Julian Epps, The Cave (2008), FreesePop, Bangor, Maine, USA Still Water Fellow Vanessa Vobis has a history of combining installation art and ecology. In 2007 she
Touring Los Angeles permaculture with Vanessa Vobis and LA Green Grounds Read More »
This week Joline Blais and Jon Ippolito join forces for a series of presentations at USC organized by Craig Dietrich, Still Water Senior Researcher and co-creator of Scalar. The week culminates on Friday 2 March at the School of Cinematic Arts with Redesigning Reality, a hands-on session in hacking the “scripts” that govern us to
Hacking the victual and virtual at USC Read More »
Still Water Senior Researcher John Bell and fellow Intermedia alumnus Rick Corey advance in Stages One and Two of the prestigious Digital Media and Learning Competition held in San Francisco this month.
Badge-based education wins a boost in DML competition Read More »
In the digital art preservation field, we are in the middle of a crisis between contents versus containers. This is a crisis of substance, material substance opposing to conceptual/intentional substance of the artwork. What do we want? That all resources be directed towards to the preservation and storage of the original devices? Or, that each time
Morgane Stricot presents hybrid preservation strategy. Read More »
How can rural economies and ecologies benefit from wired citizens? Still Water Fellow Miigam’agan and co-director Joline Blais tackle the subject along with New Media colleague Bill Kuykendall at two conferences organized by Maine Rural Partners and Portland Maine Permaculture.
Who will be heard when we wire the wilderness? Read More »
