What happens to ground truth when finding a factoid or photo no longer means consulting an archive but generating one from scratch? That’s the question that drives “Honey, AI Shrunk the Archive,” an essay I wrote for the forthcoming anthology New Directions in Digital Textual Studies.
AI as miniature archive Read More »
Entangled Ecologies, an NEH funded project, led by UMaine’s Joline Blais and Dartmouth colleague John Bell, creates an (AR) App that reveals the entwined histories and ecological systems of the Shaker Forest in Enfield, NH..
NEH Entangled Ecologies: AR meets Shaker Forest Read More »
For the past year, Still Water co-director Joline Blais has been president of the Wild Blueberry Heritage Center, headquartered in a physical museum in Columbia Falls and online at WildBlueberryHeritageCenter.org. The museum is an extension of the Wild Blueberry Lands
Wild Blueberry Stewards Read More »
NFTs and TikTok, two of the biggest digital trends in recent years, came under fire in 2022. Research by Still Water researchers helped to explain their advantages and vulnerabilities in over a dozen venues, including publications from Wired to Forbes and presentations from London to Shanghai.
Wrestling with NFTs and TikTok in 2022 Read More »
UMaine’s Digital Curation program is thrilled to host a free public webinar with “free-range archivist” Jason Scott on Wednesday 5 May at 2pm EDT as part of its regular teleconference series. Anyone interested in attending can register for free.
Jason Scott of the Internet Archive returns for public webinar Read More »
As more of our work and entertainment moves online, the challenge of preserving websites and social media becomes increasingly urgent. In an interactive discussion on Friday 17 April at 1pm EDT entitled “Web Archiving for Everyone,” the latest guest speaker in UMaine’s Digital Curation program presents new tools and techniques for saving Internet culture for
Preserving the most ephemeral of media Read More »
At Yale’s May 11th symposium “Is This Permanence?”, Still Water’s John Bell and Jon Ippolito help curators and historians plan for a digital future in which “archival material” could be a contradiction in terms.
Yale keynote asks whether art can be permanent in the digital age Read More »
Reinterpretation as a preservation strategy has been called “radical” and “dangerous,” yet this unconventional approach has seen a surge of interest in preservation communities in the past year. In a departure from conventional wisdom about conservation, a group of European preservation experts recently invited Still Water’s Jon Ippolito to reassess this controversial technique as a
Is reinterpretation the new emulation? Read More »
Interpreting the past has long been the province of historians, but reinterpreting it has recently become a concern of conservators. This most powerful, and most controversial, of preservation strategies can demand techniques not found in the traditional conservation lab, from 3d scanning to DNA computing. Several international conferences from Mexico City to Amsterdam recently spotlighted
Reinterpreting the past with 3D scans and DNA Read More »
In 1994 artist Douglas Davis hit upon a surefire way to write a preposterously long sentence. He and his collaborators created a page on what was then a fledgling World Wide Web through which anyone could add words and phrases onto a growing string of HTML. Two decades later, it fell to digital conservator Ben
How to preserve the world’s longest sentence Read More »
