This week we lost a figure known as “the dean of American avant-garde film.” Ken Jacobs was renowned for his ability to turn the humblest materia prima of cinema, including 16mm projectors and dusty reels of found footage, into optical sorcery. In so doing, he also turned time-honored assumptions about media preservation on their head.
Ken Jacobs and Preserving the Immaterial Read More »
This April’s teleconference from UMaine’s Digital Curation program looks at the practical and ethical issues of integrating AI into archival workflows—and how human crowdsourcing can fill in the gaps.
Should you let AI manage your collection? Read More »
What happens to ground truth when finding a factoid or photo no longer means consulting an archive but generating one from scratch? That’s the question that drives “Honey, AI Shrunk the Archive,” an essay I wrote for the forthcoming anthology New Directions in Digital Textual Studies.
AI as miniature archive Read More »
Join UMaine Digital Curation for a conversation with Christiane Paul, a trailblazer in the field who will review how practices of creating, collecting, and exhibiting have transformed in response to the latest tech trends, particularly the rise of generative AI.
Digital Curation in the Shadow of AI Read More »
Demand for professionals who can manage collections of digital heritage and data continues to climb rapidly as related job postings rose by 130% in 2022, according to an analysis by UMaine’s Digital Curation program. This is a dramatic surge compared to the 61% increase over the pandemic years between 2019 and 2021.
Digital curation jobs more than doubled in 2022 Read More »
NFTs and TikTok, two of the biggest digital trends in recent years, came under fire in 2022. Research by Still Water researchers helped to explain their advantages and vulnerabilities in over a dozen venues, including publications from Wired to Forbes and presentations from London to Shanghai.
Wrestling with NFTs and TikTok in 2022 Read More »
Disinformation. Tech monopolies. Surveillance capitalism. For all its benefits, our current Internet is rife with vulnerabilities that can be exploited by the powerful and lead to an erosion of trust among the rest of us. The latest of UMaine’s Digital Curation teleconferences asks whether changes to the fundamental dynamic of the web might help us
Can the next web solve the Internet’s problems? Read More »
A three-year analysis of jobs advertised on Twitter suggests that the pandemic increased demand for digital curation professionals, which has grown by almost two-thirds since 2019. Despite the maturity of the field–UMaine’s Digital Curation graduate program was launched in 2021–there still appears to be no consensus on what to call these positions, whose titles have
Three-year study shows 60% increase in demand for digital curation Read More »
NFTs hold out the promise of democratizing art by letting digital creators sell their works directly to collectors. But does the reality hold up to the hype?
NFTs: the promises and perils of crypto-art Read More »
UMaine’s Digital Curation program is thrilled to host a free public webinar with “free-range archivist” Jason Scott on Wednesday 5 May at 2pm EDT as part of its regular teleconference series. Anyone interested in attending can register for free.
Jason Scott of the Internet Archive returns for public webinar Read More »
