Still Water‘s archival tools were featured in a keynote at the Compatible Data conference organized by Micki McGee at Fordham University in New York on 24 September. This conference gathered data mavens from the New York Public Library, Columbia and Brown universities, and other prominent collections with the goal of finding a metadata Esperanto in […]
Lonely data link up at the Compatible Data conference Read More »
Drawing on the forthcoming book New Media and Social Memory co-authored with Richard Rinehart, Jon Ippolito speaks on “Wind, Rain, and Ambient Preservation” at ISEA 2011 in Istanbul.
Still Water unleashes wind and rain in Istanbul at ISEA 2011 Read More »
Ben Fino-Radin of Rhizome has published a plan to keep the organization’s venerable collection of digital art alive in the foreseeable future. The scheme builds on previous research by Richard Rinehart and Still Water’s Forging the Future coalition, of which Rhizome was a founding partner.
Rhizome publishes white paper on variable media preservation Read More »
Still Water co-director Joline Blais trades a 45-minute car commute for an hour and a quarter on an electric bike.
Uphill is the new downhill: Still Water commutes by ebike Read More »
In the final stretch of the competition for the Mozilla-Knight Foundation News Technology Partnership, Still Water Senior Researcher John Bell has posted a roadmap based on applying the lessons of open source software to journalism. His four stages–aggregation, interpretation, curation, and deliberation–lay the foundation for a future of journalism that marries community and credibility.
MoJo update: a four-stage plan to overhaul digital journalism Read More »
The Pool is one of the software packages showcased in Trebor Scholz’s 2011 anthology Learning Through Digital Media: Experiments in Technology and Pedagogy, along with Facebook, Tumblr, and Second Life. Available as a printed or eBook, the text surveys “how both ready-at-hand proprietary platforms and open-source tools can be used to create situations in which
The Pool featured in digital learning anthology Read More »
Digital light is both the subject and the medium for Jon Ippolito’s “The Panopticon Is Leaking.” This teleconference presentation at the University of Melbourne traces the historical roots of light as both a metaphor for knowledge and a means of control, and questions the relevance of this legacy for age of Internet phenomena such as
“The Panopticon Is Leaking”: Digital Light in Melbourne Read More »
Last December Curator Laura Barrecca and Conservator Alessandra Barbuto invited Jon Ippolito to speak on cultural preservation at Rome’s Museum of the Art of the 21st century (MAXXI), a dramatic building by famed architect Zaha Hadid that opened in June.
How to keep art of the 21st century going till the 22nd Read More »
In recent weeks the ThoughtMesh publishing platform has expanded to include videos of conference proceedings, reports on the 2011 Egyptian revolution, and book-length publications. Critical Code Studies has launched a Mesh to publish proceedings of their 2010 conference, in conjunction with a HASTAC Scholars Forum on the same topic of software studies. The launch coincides
Critical Code Studies Mesh launched on ThoughtMesh Read More »
Still Water Senior Researcher John Bell presents the third-generation Variable Media Questionnaire at the 2010 International Symposium on Electronic Art.
John Bell presents VMQ at ISEA 2010 in Germany Read More »
