Which is the oldest human record? In his keynote presentation to the National Symposium of Brazilian Cyberculture, Jon Ippolito argues it is lurking in the Amazon rainforest.
Florianopolis Keynote: “Trusting Amateurs with the Future” Read More »
The University of Maine is poised to launch an innovative graduate program in digital curation, beginning September 2012. The online, 18-credit curriculum aims to train anyone who works with digitized or born-digital items to make them accessible and meaningful to present and future generations.
U-Me to launch Digital Curation program in fall 2012 Read More »
Richard Rinehart, co-author with Still Water’s Jon Ippolito of the forthcoming MIT book New Media and Social Memory, presents conclusions from the book at the POCOS/HATII symposium on Software Art in Glasgow on 11 October.
Variability machines at Glasgow Software Art symposium Read More »
Photo archivists and Twitter sociologists, guerilla gardeners and best-selling Kindle authors descend on Orono, Maine for the 2011 Digital Humanities Week.
Digital Humanities Week Read More »
Still Water‘s archival tools were featured in a keynote at the Compatible Data conference organized by Micki McGee at Fordham University in New York on 24 September. This conference gathered data mavens from the New York Public Library, Columbia and Brown universities, and other prominent collections with the goal of finding a metadata Esperanto in
Lonely data link up at the Compatible Data conference Read More »
Drawing on the forthcoming book New Media and Social Memory co-authored with Richard Rinehart, Jon Ippolito speaks on “Wind, Rain, and Ambient Preservation” at ISEA 2011 in Istanbul.
Still Water unleashes wind and rain in Istanbul at ISEA 2011 Read More »
Ben Fino-Radin of Rhizome has published a plan to keep the organization’s venerable collection of digital art alive in the foreseeable future. The scheme builds on previous research by Richard Rinehart and Still Water’s Forging the Future coalition, of which Rhizome was a founding partner.
Rhizome publishes white paper on variable media preservation Read More »
Digital light is both the subject and the medium for Jon Ippolito’s “The Panopticon Is Leaking.” This teleconference presentation at the University of Melbourne traces the historical roots of light as both a metaphor for knowledge and a means of control, and questions the relevance of this legacy for age of Internet phenomena such as
“The Panopticon Is Leaking”: Digital Light in Melbourne Read More »
Last December Curator Laura Barrecca and Conservator Alessandra Barbuto invited Jon Ippolito to speak on cultural preservation at Rome’s Museum of the Art of the 21st century (MAXXI), a dramatic building by famed architect Zaha Hadid that opened in June.
How to keep art of the 21st century going till the 22nd Read More »
Still Water Senior Researcher John Bell presents the third-generation Variable Media Questionnaire at the 2010 International Symposium on Electronic Art.
John Bell presents VMQ at ISEA 2010 in Germany Read More »
