Italian curator Laura Barreca on “Technology versus History”
“Technology versus History”: A talk with Laura Barreca on Monday 30 November 4-5:30pm
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Variable Media
Art on life support needs a living will
Two recent stories on conserving contemporary art speak to how removed museums and foundations are from the “proliferative preservation” of digital creators. The New York Observer writes about a Whitney Museum taskforce created to police the replication of art via exhibition copies, and their headline says it all: Copy That! Wait, Don’t. Meanwhile an article
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Hands-on with emulators, reinterpretation in Variable Media class
A variable media class in the New Media Department at the University of Maine this term introduces undergraduates to concepts of new media preservation and gives them hands-on experience with some of its tools. The NMD205 syllabus includes a range of preservation strategies such as emulation, migration, and reinterpretation. As part of their coursework, students
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Forging the Future in Korea
Jack Toolin included themes from Forging the Future in a presentation at the Incheon Digital Art Festival (INDAF) 2009 in Incheon, Korea, on 7 August 2009. The festival coincided with an exhibition proposing a city whose inhabitants are connected by a digital environment, as reflected in the show’s three sub-themes–Inter-Face, Inter-Space, and Inter-Time.
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“Think like a Network”
“Think like a Network,” a remote presentation by Jon Ippolito at The Art of With conference, argued for expanding the participatory possibilities of arts institutions to an audience of art enthusiasts and professionals gathered at Cornerhouse in Manchester, UK, on 24 June 2009. “Think like a Network” argued that museums reinforce boundaries for rare experiences
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Forging in Bruce Sterling’s Wired magazine blog
Author and ephemeral-media expert Bruce Sterling noted the launch of the Forging the Future Web site last week in his blog for Wired magazine, Beyond the Beyond. As the originator of the famed “Dead Media List,” Sterling knows more than just about anybody about the problem of technical amnesia. Acknowledging the speedy obsolescence of contemporary
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“New Media in the White Cube” in the White Cube
Forging the Future principals Christiane Paul and Carol Stringari, as well as fellow travellers Sarah Cook and Steve Dietz, present Christiane’s new anthology “New Media in the White Cube” at 5:30pm today at Eyebeam Atelier in New York. The book includes essays on variable media presentation and preservation by the assembled speakers as well as
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Marilyn Lutz presents MANS at Digital Humanities and JCDL
In Austin and Maryland this June, the University of Maine’s Marilyn Lutz presented progress by the Forging the Future alliance on new ways to share data among separate repositories, including the Media Art Notation System (MANS) developed by Rick Rinehart and the Forging the Future Metaserver, a sort of ISBN for art under construction by
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Forging the Future in Taiwan, Amsterdam, and Los Angeles
As part of her lecture on “New Media in the White Cube and Beyond: Presenting and Preserving New Media Art” at MoCA Taipei, Taiwan, Christiane Paul presented the Forging the Future initiative and the Variable Media Questionnaire on May 3, 2009. Christiane also presented the Forging the Future Initiative and the VMQ at the expert
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New preservation tools for scholars, dancers
Still Water Senior Researcher Craig Dietrich chaired the panel “Born-Digital Scholarship: New Strategies, Projects, and Possibilities” at HASTAC III: Traversing Digital Boundaries, University of Illinois, April 21st, 2009. Along with introducing the panel, Craig presented an overview of ThoughtMesh and the Variable Media Questionnaire to an audience of digital humanities scholars and tools builders. ThoughtMesh,
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