Digital Humanities Week
Photo archivists and Twitter sociologists, guerilla gardeners and best-selling Kindle authors descend on Orono, Maine for the 2011 Digital Humanities Week.
Digital Humanities Week Read More »
Photo archivists and Twitter sociologists, guerilla gardeners and best-selling Kindle authors descend on Orono, Maine for the 2011 Digital Humanities Week.
Digital Humanities Week Read More »
Still Water‘s archival tools were featured in a keynote at the Compatible Data conference organized by Micki McGee at Fordham University in New York on 24 September. This conference gathered data mavens from the New York Public Library, Columbia and Brown universities, and other prominent collections with the goal of finding a metadata Esperanto in
Lonely data link up at the Compatible Data conference Read More »
Ben Fino-Radin of Rhizome has published a plan to keep the organization’s venerable collection of digital art alive in the foreseeable future. The scheme builds on previous research by Richard Rinehart and Still Water’s Forging the Future coalition, of which Rhizome was a founding partner.
Rhizome publishes white paper on variable media preservation Read More »
In recent weeks the ThoughtMesh publishing platform has expanded to include videos of conference proceedings, reports on the 2011 Egyptian revolution, and book-length publications. Critical Code Studies has launched a Mesh to publish proceedings of their 2010 conference, in conjunction with a HASTAC Scholars Forum on the same topic of software studies. The launch coincides
Critical Code Studies Mesh launched on ThoughtMesh Read More »
Jon Ippolito’s presentation “Learning from Mario: Crowdsourcing Preservation” from last March’s DOCAM conference in Montreal has been meshed and is now available online. The essay makes the provocative argument that preservation professionals should be taking cues from the amateur fans who keep vintage games alive.
“Learning from Mario” DOCAM presentation online Read More »
October’s “Art of Digital London” workshop presented Forging the Future’s latest preservation tools to representatives of arts organizations including the British Library, the Hornsey Unlibrary, FACT Liverpool, and Wikimedia UK. Jon Ippolito demo’d the new Variable Media Questionnaire and Metaserver via teleconference at this event organized by Mute magazine’s Simon Worthington.
Variable Media Questionnaire at Art of Digital London Read More »
A recent story in the New York Times provides a contemporary snapshot of how Internet-based recognition metrics are challenging the closed peer review typical of traditional academia.
More cracks in the ivory tower, thanks to the Web and Twitter Read More »
Still Water Senior Researchers John Bell and Craig Dietrich join Nicole Starosielski, Vanessa Vobis, and Jon Ippolito in the online presentation “Avoiding a Cultural Bottleneck: Networked, Distributed, and Agile Collaborations” as part of the HASTAC 2010: Grand Challenges and Global Innovations Conference. The projects presented include the Metaserver and other projects of Forging the Future.
Metaserver featured in HASTAC’s Grand Challenges and Global Innovations Conference Read More »
Forging the Future has just launched its own Mesh–a set of documents linked by ThoughtMesh software–on the topic of variable media and preservation. The Mesh includes seventeen essays from the book Permanence Through Change: The Variable Media Approach, making this acclaimed publication accessible to even more readers, and automatically linking it to other texts on
Forging the Future Mesh launched Read More »
“Think like a Network,” a remote presentation by Jon Ippolito at The Art of With conference, argued for expanding the participatory possibilities of arts institutions to an audience of art enthusiasts and professionals gathered at Cornerhouse in Manchester, UK, on 24 June 2009. “Think like a Network” argued that museums reinforce boundaries for rare experiences
“Think like a Network” Read More »