Forging the Future has just launched its own Mesh–a set of documents linked by ThoughtMesh software–on the topic of variable media and preservation. The Mesh includes seventeen essays from the book Permanence Through Change: The Variable Media Approach, making this acclaimed publication accessible to even more readers, and automatically linking it to other texts on […]
Forging the Future Mesh launched Read More »
The third-generation version of the Variable Media Questionnaire, an instrument developed by Still Water’s John Bell and Jon Ippolito to help guide the future of artworks endangered by technical and cultural obsolescence, will be launched publically this March at the 2010 DOCAM conference in Montreal.
3rd-gen Variable Media Questionnaire at DOCAM 2010 Read More »
“Technology versus History”: A talk with Laura Barreca on Monday 30 November 4-5:30pm
Italian curator Laura Barreca on “Technology versus History” Read More »
Two recent stories on conserving contemporary art speak to how removed museums and foundations are from the “proliferative preservation” of digital creators. The New York Observer writes about a Whitney Museum taskforce created to police the replication of art via exhibition copies, and their headline says it all: Copy That! Wait, Don’t. Meanwhile an article
Art on life support needs a living will Read More »
A variable media class in the New Media Department at the University of Maine this term introduces undergraduates to concepts of new media preservation and gives them hands-on experience with some of its tools. The NMD205 syllabus includes a range of preservation strategies such as emulation, migration, and reinterpretation. As part of their coursework, students
Hands-on with emulators, reinterpretation in Variable Media class Read More »
Jack Toolin included themes from Forging the Future in a presentation at the Incheon Digital Art Festival (INDAF) 2009 in Incheon, Korea, on 7 August 2009. The festival coincided with an exhibition proposing a city whose inhabitants are connected by a digital environment, as reflected in the show’s three sub-themes–Inter-Face, Inter-Space, and Inter-Time.
Forging the Future in Korea Read More »
“Think like a Network,” a remote presentation by Jon Ippolito at The Art of With conference, argued for expanding the participatory possibilities of arts institutions to an audience of art enthusiasts and professionals gathered at Cornerhouse in Manchester, UK, on 24 June 2009. “Think like a Network” argued that museums reinforce boundaries for rare experiences
“Think like a Network” Read More »
Author and ephemeral-media expert Bruce Sterling noted the launch of the Forging the Future Web site last week in his blog for Wired magazine, Beyond the Beyond. As the originator of the famed “Dead Media List,” Sterling knows more than just about anybody about the problem of technical amnesia. Acknowledging the speedy obsolescence of contemporary
Forging in Bruce Sterling’s Wired magazine blog Read More »
Forging the Future principals Christiane Paul and Carol Stringari, as well as fellow travellers Sarah Cook and Steve Dietz, present Christiane’s new anthology “New Media in the White Cube” at 5:30pm today at Eyebeam Atelier in New York. The book includes essays on variable media presentation and preservation by the assembled speakers as well as
“New Media in the White Cube” in the White Cube Read More »
In Austin and Maryland this June, the University of Maine’s Marilyn Lutz presented progress by the Forging the Future alliance on new ways to share data among separate repositories, including the Media Art Notation System (MANS) developed by Rick Rinehart and the Forging the Future Metaserver, a sort of ISBN for art under construction by
Marilyn Lutz presents MANS at Digital Humanities and JCDL Read More »
