jon

Jon Ippolito co-directs Still Water.

Critical Code Studies Mesh launched on ThoughtMesh

In recent weeks the ThoughtMesh publishing platform has expanded to include videos of conference proceedings, reports on the 2011 Egyptian revolution, and book-length publications. Critical Code Studies has launched a Mesh to publish proceedings of their 2010 conference, in conjunction with a HASTAC Scholars Forum on the same topic of software studies. The launch coincides […]

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The Promise and Problems of Transparency

Joline Blais and Jon Ippolito presented models of open governance on November 12 at U-Me’s Promise and Problems of Transparency conference. Organized by Desiree Butterfield-Nagy, the event featured a “hyperblog” organized by Blais and Ippolito with help from Still Water Senior Researcher Craig Dietrich.

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“Learning from Mario” DOCAM presentation online

Jon Ippolito’s presentation “Learning from Mario: Crowdsourcing Preservation” from last March’s DOCAM conference in Montreal has been meshed and is now available online. The essay makes the provocative argument that preservation professionals should be taking cues from the amateur fans who keep vintage games alive.

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Cross-Cultural Partnership in Madrid

Anthropologist James Leach presents the Cross-Cultural Partnership as an example of a social “prototype” at “Prototyping Cultures: Social Experimentation, Do-It-Yourself Science and Beta-Knowledge.” The Cross-Cultural Partnership, a legal template for encouraging ethical collaborations across cultural divides, was the brainchild of Leach, Wendy Seltzer, and othe members of the Connected Knowledge working group organized by Still

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Variable Media Questionnaire at Art of Digital London

October’s “Art of Digital London” workshop presented Forging the Future’s latest preservation tools to representatives of arts organizations including the British Library, the Hornsey Unlibrary, FACT Liverpool, and Wikimedia UK. Jon Ippolito demo’d the new Variable Media Questionnaire and Metaserver via teleconference at this event organized by Mute magazine’s Simon Worthington.

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