I’m on my way back from the final DOCAM conference in Montreal this week, trying to catch my breath from this two-day banquet of variable media research served up by the formidable Alain Depocas and his dedicated crew (Ludovic, Sophie, Catherine, et al.).
Over the past five years, DOCAM has pumped out gobs of deep research on documentation and preservation, including dozens of juicy case studies of artworks endangered in all kinds of delicious ways. Here are a handful of the myriad vulnerabilities that emerged from DOCAM’s case studies.
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