Still Water Senior Researcher John Bell presents the third-generation Variable Media Questionnaire at the 2010 International Symposium on Electronic Art.
John Bell presents VMQ at ISEA 2010 in Germany Read More »
Jon Ippolito’s presentation “Learning from Mario: Crowdsourcing Preservation” from last March’s DOCAM conference in Montreal has been meshed and is now available online. The essay makes the provocative argument that preservation professionals should be taking cues from the amateur fans who keep vintage games alive.
“Learning from Mario” DOCAM presentation online Read More »
October’s “Art of Digital London” workshop presented Forging the Future’s latest preservation tools to representatives of arts organizations including the British Library, the Hornsey Unlibrary, FACT Liverpool, and Wikimedia UK. Jon Ippolito demo’d the new Variable Media Questionnaire and Metaserver via teleconference at this event organized by Mute magazine’s Simon Worthington.
Variable Media Questionnaire at Art of Digital London Read More »
Forging the Future’s latest tool for rescuing digital art from the ravages of technical obsolescence will be demo’d to European audiences for the first time when Still Water Senior Researcher John Bell presents at ISEA 2010 in Germany this August.
John Bell to present 3rd-generation VMQ at ISEA 2010 Read More »
Still Water Senior Researchers John Bell and Craig Dietrich join Nicole Starosielski, Vanessa Vobis, and Jon Ippolito in the online presentation “Avoiding a Cultural Bottleneck: Networked, Distributed, and Agile Collaborations” as part of the HASTAC 2010: Grand Challenges and Global Innovations Conference. The projects presented include the Metaserver and other projects of Forging the Future.
Metaserver featured in HASTAC’s Grand Challenges and Global Innovations Conference Read More »
On April 10th at Harvard’s Sackler Museum, Christiane Paul of The New School and Whitney Museum of American Art presents Forging the Future as part of her presentation “New Media beyond the White Cube: Preserving Digital Art.”
Forging the Future at Harvard Art Museums Read More »
I’m on my way back from the final DOCAM conference in Montreal this week, trying to catch my breath from this two-day banquet of variable media research served up by the formidable Alain Depocas and his dedicated crew (Ludovic, Sophie, Catherine, et al.). Over the past five years, DOCAM has pumped out gobs of deep
Dispatch from DOCAM 1: the dead and dying Read More »
Forging the Future has just launched its own Mesh–a set of documents linked by ThoughtMesh software–on the topic of variable media and preservation. The Mesh includes seventeen essays from the book Permanence Through Change: The Variable Media Approach, making this acclaimed publication accessible to even more readers, and automatically linking it to other texts on
Forging the Future Mesh launched Read More »
The third-generation version of the Variable Media Questionnaire, an instrument developed by Still Water’s John Bell and Jon Ippolito to help guide the future of artworks endangered by technical and cultural obsolescence, will be launched publically this March at the 2010 DOCAM conference in Montreal.
3rd-gen Variable Media Questionnaire at DOCAM 2010 Read More »
Two recent stories on conserving contemporary art speak to how removed museums and foundations are from the “proliferative preservation” of digital creators. The New York Observer writes about a Whitney Museum taskforce created to police the replication of art via exhibition copies, and their headline says it all: Copy That! Wait, Don’t. Meanwhile an article
Art on life support needs a living will Read More »
